西班牙电影《The Party’s Over》（原名：Fin De Fiesta）讲述了一名非洲移民藏身于安达卢西亚庄园工具棚中的隐秘故事。他暗中观察着庄园女主人与年轻女仆之间微妙的权力关系，直至某天被女主人发现。出人意料的是，女主人和随后察觉的女仆都选择向彼此隐瞒他的存在，三人之间形成了一种危险的默契。然而，一场突如其来的事件彻底打破了这场沉默的博弈，将所有人推向不可预知的结局。
### **影评**影片以克制的镜头语言和充满张力的叙事，探讨了阶级、移民与人性欲望的复杂交织。非洲移民作为“沉默的观察者”，成为揭露庄园虚伪表象的钥匙，而两位女性角色对他的“双重隐瞒”则暗喻了社会规则下的共谋与反抗。导演通过幽闭的空间调度和细腻的表演（尤其是比阿特丽斯·阿荷纳饰演的女主人）营造出令人窒息的戏剧冲突，结局的爆发既荒诞又充满悲剧性。影片如同一则现代寓言，质问着“派对”结束后，谁才是真正的局外人。
--- ### **Synopsis**The Spanish film *The Party’s Over* (original title: *Fin De Fiesta*) follows an African immigrant hiding in a toolshed of an Andalusian manor. He silently observes the strained dynamic between the lady of the house (Beatrice Ahonar) and her young maid (Sonia Barba). When discovered by the mistress—and later by the maid—both women choose to conceal his presence from each other, forging a precarious triangle of secrets. An unexpected incident eventually shatters this fragile balance, leading to a climactic reckoning.
### **Review**With restrained cinematography and psychological tension, the film dissects themes of class, migration, and repressed desire. The immigrant’s role as a "silent witness" exposes the manor’s facade, while the women’s mutual deception mirrors societal complicity. Director’s claustrophobic framing and standout performances (notably Ahonar’s chilling portrayal) build toward a devastating, almost absurdist finale. A potent allegory on who remains when *the party’s over*.
--- **注**：可根据需要调整中英文内容的详略程度，或补充具体演员表现（如弗兰克·费斯的角色作用）等细节。